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The look on Jenna’s face is heartbreaking when she realizes how much Henry had sacrificed to keep up the wall that she had just torn down at the hospital without Henry’s permission. Viewers, of course, had understood the sacrifice Henry was making for a while, but Jenna is the first person Henry actually opens up to about it. Keeping Cleo (Missi Pyle) in the dark has been the only thing keeping her happy. Jenna questions whether such repression is really “strength” until Henry explains in frustration that she wasn’t just being strong for herself, she was being strong for her mom.
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#HOW MANY EPISODES ARE IN IMPULSE SEASON 1 SERIES#
The series badly needs the comic touches Desjardin and Maslany provide in their finer moments. The performances by Desjardin Maslany (Tatiana’s brother) and David James Elliott, as the father of Henry’s attacker and a local automotive kingpin, are all totally overhauled as characterizations go from one-dimensional to much more nuanced. While the jumping and special effects in the pilot aren’t sustained, the changes aren’t all negative and don’t all represent a reduction. There’s a very strong feeling that the pilot, from Liman and writer Jeffrey Lieber, set a template on all levels that LeFranc and perhaps YouTube Red on a budgetary level weren’t interested in following. It isn’t that the Impulse team does poorly with the “jumper” side of the story, but their interest in it wanes.
#HOW MANY EPISODES ARE IN IMPULSE SEASON 1 PLUS#
LeFranc and the writers, plus a team of post-Liman directors dominated by women, including Helen Shaver, Alex Kalymnios and Cherien Dabis, do right by this sensitive, difficult side of the story. Episodes are preceded by sexual violence content warnings and end with hotline callouts to the Rape, Abuse & Incest National Network. There’s a volatile minutelong uncut shot of the young actress in the second episode that sold me completely on the performance and her ability to carry the series. Hasson’s balance of tough-girl exterior and inner fragility is exceptional.
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It’s a multi-episode process that’s almost always in the foreground as Henry faces the constant presence of her attacker suffers self-doubt as her story is questioned and shies away from other intimacies in her life, already a problem for the new girl in school and for one of those sci-fi characters whose burgeoning adolescence and nascent powers are intermingled. What the show does best is deal with consent and the lingering trauma a sexual assault can cause a victim. Impulse showrunner Lauren LeFranc is admirably determined not to let the series fall into that second category. Using the sexual assault of a young protagonist as a character catalyst can be effective and fertile instigation for drama - see Veronica Mars or Jessica Jones - but it can also be exploitive when ramifications and emotional scarring are ignored to push the narrative forward. Before she knows what happened, Henry is back in the safety of her bedroom and Clay’s life is changed forever. That’s nothing, though, compared to what happens when basketball star Clay (Tanner Stine) ignores Henry’s boundaries and vocal protestations after some initially benign making-out.
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Henry’s latest home is somewhere in upstate New York and comes with a popular, dismissive new pseudo stepsister (Sarah Desjardins) and the challenges of being unable to drive due to several recent and unexplained seizures.Ī conflict with a teacher in class leads to Henry’s latest seizure and to attention from Townes (Daniel Maslany), who’s on the autism spectrum and a bit of an outcast himself, when he notices that Henry’s condition also causes objects around her to move. Hasson plays Henrietta “Henry” Coles, a vagabond teen who struggles to make friends and connections because her mother (Missi Pyle) keeps moving from one boyfriend and town to the next. Why 'Impulse' Star Maddie Hasson Was a Casting "Risk" for YouTube and Doug Liman